Current Courses

Moon and Sun: A Short Introduction to Contemplative Haiku

“The moon and sun are travelers through Eternity…Even the days wander and each day is a journey and the journey itself is home” ~Basho

Two separate sessions:

Sun. June 25th, July 2nd, 9th; 4pm-6pm Est.

Wed. June 22nd, 29th, July 12th; 6:30pm -7:30pm Est.

Fee $90 - $120 CAN Register: dralaimage@gmail.com

The course includes a consideration of the sublime aesthetics of the Japanese contemplatives- such as sabi, wabi, and yugen. Further we consider the Shambhala teachings of “authentic presence” and “ordinary magic” as energetic ways that inform contemplative practice.

This Zoom course proceeds through teaching, haiku assignments and reviews. Each participant will have weekly personal feedback through e-mail and will share their haiku in the Zoom sessions.

For those interested, this course opens participation in the ongoing “Moon and Sun” community of haiku practitioners and more advanced Haiku studies.

No writing experience necessary.

Haiku Celebration: December

“It is necessary to appreciate that, for many thousands of years, human beings have been collecting wisdom. We should appreciate the accomplishments of our ancestors…the failure to appreciate the resourcefulness of human existence – which we call basic goodness – has become one of the world’s biggest problems.” ~Chogyam Trungpa, Sacred Path of the Warrior

Sat. Dec 14th, 21st, 28th, Jan 6th; 1pm-3pm Est.

Requested course fee: sliding scale $125-150 (CAN) (or what you can afford)

For the Moon and Sun Haiku group or those who took this course last year: $75-$120(CAN)

For more information about Contemplative Art: www.dralaimage.com

No previous writing or haiku experience necessary. In the first class you will be introduced to the form and practice of classical contemplative haiku

You will receive individual personal feedback on your haiku practice. Each week you can send me by e-mail attachment five haiku and I will give some feedback, instruction and encouragement.

In each class section we will collectively read and contemplate a selection from each of your haiku. That will be the first part of the class. After the break I will give more teachings and assignments.

I will send you reading materials that we will discuss and contemplate.

The classes will be recorded so if you miss a class we will send you the

recording.

This course will be a haiku celebration of the December Celebrations. Perhaps more than any other month December is infused with various celebrations and events.

Some of the major events: Winter Solstice, Yule, Bodhi Day, Shambhala Children’s Day, Christmas Eve, Christmas, Boxing Day, Hanukkah, Kwanzwa, New Years Eve, New Years Day. There are many, many more, ranging from serious like National Aids Day to the more peculiar like Were Brown Shoes Day and everything in-between. I will leave it to you to do the research.

Classic contemplative haiku contains a Kigo or Season Word as feature of its form and expression. Classic contemplative haiku issues as an opening, a happening or a direct perception – the “fabled now moment” – within the whole context of that “now moment”. That holistic context is gathered through the inclusion of the “Season Word”.

The Season Word can be as simple as registering the Season: Spring, Summer, Autumn and Winter. In haiku practice it is more subtle to indicate the particular Season through features and aspects of its manifestation. For example, tulips or robins for the Spring and snow or snowmen for Winter. Through the centuries of haiku practice the haiku practitioners have discerned the detailed phenomenal manifestations of each Season and have composed lists to aid the haiku practitioners.

The implication of the “Season Word” runs much deeper. It is structured and expressed within the principles of Human, Nature and Cosmic harmony. This social and natural harmony is sometimes expressed through the principles of Heaven, Earth and Humanity as the deep organizational context of human society. These teachings can be found in Daosim and Shambhala.

In haiku the Season Word is articulated through these principles of Heaven, Earth and the Human dimensions. In particular the deep haiku practitioners have discerned seven sectors of this Season manifestation: Seasons, Heaven/Sky, Earth, Plants, Animals, Human activities and Celebrations/Observances.

It is interesting that the Human realm is discerned in these two aspects: Activities and Celebrations. Activities are pretty straightforward: in Winter there may be snow shoveling.

In haiku celebration has a least two features. Celebrations can mark Humanity as Humanity: the special events that are honored as exemplary, decisive or infusing the culture. Celebrations can also mark events that join Heaven, Earth and Humanity. So, it runs deep as deep intimate human culture.

The manifestation of Celebrations and Human activities belong together. Just think of “Christmas” as a Celebration event. There are the various religious aspects such as Christmas Mass or the representations of the Christ Child in the manger with Mary, Joseph, the three Magi and others. There are the myriad human activities such a lights and displays, shopping, shopping, and shopping for Christmas gifts, Santa Claus, the Christmas tree and so forth.

Even here with the manifestations such as “Santa Claus”- beyond the commercial aspects - there is a historical/mythical background and it is instructive and contemplative to explore these roots. Being Human is deep and celebrations resonate and express this depth. (Although, also, it is interesting to explore how Santa Claus became “commercial”. It’s all haiku.)

Also celebrations as celebrations are often “fun”. So even though haiku Celebration is a deep topic we can and will have fun with it. It will be mostly fun.

Absolute PhotoEye Symbolism: working through Found Conceptual Art

“ In working through Absolute Symbolism we first need to work through the phenomenal world or relative symbolism…We are talking about the styles of perception. In order to realize absolute symbolism we need to appreciate the empty gap of mind.” ~Chogyam Trungpa: Empty Gap of Mind in True Perception

“ The Tibetan word for flower is metok. We see the object and then we say the two syllables me and tok or flow and er…the two syllables do not actually exist in the object that we see. Nevertheless we look at that object and think “flower” even though there’s really no flower there…”

~ Khenchen Thrangu: An Ocean of Ultimate Meaning: Teachings on Mahamudra

“ Conceptual artists are mystics rather that rationalists. They leap to conclusions that logic cannot reach” ~Sol De Witt ( Conceptual Artist)

Two separate sessions:

Four sessions Sunday 3pm-5pm EST, Sept 22nd. Oct 6th, 20th, Nov. 10th

Four sessions Tuesday 7pm-9pm EST Sept 24th, Oct 8th, 22th. Nov. 12th

More information: www.dralaimage.com

Registration: dralaimage@gmail.com

Course fee $130-150 ( or what you can afford)

In Nalanda Miksang Contemplative Photography we work through perception rather than concept. We work directly with the manifestation of the phenomenal world rather that our concepts and interpretations concerning the phenomenal world.

At the same time we have a slogan: “Nothing added; Nothing excluded”. What about Concept? Is it excluded or included? This issue cannot be resolved within a relative framework including the Nalanda Miksang relative pedagogical framework.

What is not the framework but simultaneously includes the framework: the Empty Gap of Mind. This can be accessed/expressed in two ways: deconstruction/transmutation of the frameworks and a “ leap that logic cannot reach”

This course will engage the possibility of realizing the non-conceptual through and as the conceptual. We will engage the relative symbolism phenomenal world through various interventions that may display glimpses of Absolute Symbolism. The equivalent images will be Found Modern Art.

As well we will bring together the reality teachings of Buddhism with the reality explorations of American Modern Art. Besides the absolute symbolism teachings of Chogyam Trungpa we will consider some American Modern Conceptual Artists such as Sol De Witt, Joseph Kossuth, Yoko Ono and Barbara Kruger. Also we will touch on the art movements of Minimalism and Surrealism.

The course is both an art adventure and expression and an exploration of liberation Dharma teachings.

This course is open to those who have already taken an Introductory Orderly Chaos: Introduction to Found Modern Art or a Color Plus, Plus course.

Deep Haiku and Deep Ecology:

Being Human and the Way of Nature

Sundays: Nov. 3rd, 17th, Dec. 1st, 8th; with two separate cohort times.

Cohort #1: 1pm-3pm EST.

Cohort #2: 5pm-7pm EST.

For more information and registration: Shambhala Online: info@shambhalaonline.org

Or:

Sessions on Monday Evenings Nov. 4th, 18th, Dec 2nd, 9th; 7pm-9pm EST.
Course fee: $130-$160 CAN

For more information: www.dralaimage.com

For registration: dralaimage@gmail.com

This is a deep study haiku course that includes a basic introduction to “ The Way of Haiku” and also delves deeply into Daoism, Chinese Contemplative Poetry and Deep Ecology teachings, connecting this contemplative practice with one of the biggest existential issues of our time.

This course presents the contemplative way of classic contemplative Haiku manifested through the Haiku Master Basho which draws on the deep aesthetic infusion of the classic Chinese contemplative poets and painters. This classic contemplative haiku includes a Season Word or reference which situates the spontaneous phenomenal manifestation within the context of the Heaven, Earth and Humanity universe. Our Universe.

This is the Depth Deep Ecology. This course will include contemplation of Western and Eastern versions and ways of ‘Deep Ecology”. The main focus of this Deep Ecology will be through the practice of the Way of Deep Haiku which as it turns out is a very ordinary: an always available way. It is so simple it is simply profound.

The course opens the possibility of joining the Moon and Sun Haiku Group which is an on-line Zoom collective that share their classic haiku and includes further study.

This course includes:

. Four live on-line Zoom sessions

. Teachings on writing classic haiku

. Reading and study materials from Haiku literature, Daoism, Chinese Poetry and Deep Ecology. (these will be provided)

. Group study and discussion

. Weekly haiku assignments

. Weekly individual personal feedback on your haiku through e-mail exchanges

. Weekly sharing and celebration of each other’s haiku.

It is a deep haiku,on the spot, haiku community practice. You are welcome to join.

No previous writing experience necessary. It may be just a sense that this might help with engaging your Way. Or it may be just a sense that this may a way for your creative expression. Whatever: you are invited..

Heaven and Earth: Contemplative Landscape Photography

“Traditionally it is said that when human beings live in harmony with the principles of heaven and earth, then the four seasons and the elements of the world will also work together harmoniously. Then there is no fear and humans begin to join in as they deserve, in living in the world. They have heaven above and earth below and they appreciate the trees the greenery and so on. They begin to appreciate all of this.” ~Chogyam Trungpa; Sacred Path of the Warrior

Two Zoom session options:

Dorje Denma Ling

Every second Saturday: Aug. 10th-Nov. 2nd; 2pm-4pm EST.

Every second Sunday: July 28th –Oct 6th; 12pm– 2pm EST

For information and registration: dorjedenmaling.org

Drala Image

Every second Tuesday: Aug. 13th – Nov. 5th ; 7pm-9pm EST.

Course fee: $ 140 – $170. For those repeating the course: $120-$140.

(or pay what you can afford)

For registration: dralaimage@gmail.com

This contemplative photography course explores landscape photography from a contemplative art orientation rather than the traditional Western scenic approach. The contemplative landscape way gives emphasis to visual forms, space and a sensibility of stillness rather than the conventional landscape formulas of dramatic effect,

The course includes resource teaching from contemplative aesthetics, Daoism, the Shambhala principles, Chinese Landscape painting, European Landscape painting and Deep Ecology. Also it includes consideration of Western Landscape photographers such as Ansel Adams.

This course is open to anyone who is interested in exploring the principles and aesthetic of contemplative landscapes and the messages they express. This is different from the capturing Nature and could take some time which is why the sessions are spaced two weeks apart.

You will need a digital camera with a “long lens” – at least 180. The program is structured through teachings, assignments and assignment reviews.

Landscapes Contemplative Photography video

Color Plus/Plus: Introduction to Found Modern Art

“ I think if you can turn off the mind and and see only with your
eyes then everything becomes abstract" ~Ellesworth Kelly

Taught by John McQuade and Miriam Hall

Two Separate sessions:

1. Wed. 6pm-8pm CDT; Apr. 10th, 24th, May. 8th, 22nd, Jun. 12th, 22nd

2. Sun 1-3 CDT; May. 12th , 26nd, Jun 9th, 16th, 23rd, 30th

For more information: www.herspiral.com
For registration: miriam@herspiral.com

In Nalanda Miksang contemplative photography our first assignment/exploration is color as color.

In general, as our pedagogy, we start with making a direct contact with the basic elements or features of the visual world/experience: color, light, texture, pattern, space and so forth. These are the “visual cords” that become the basis of the Nalanda Miksang “ visual music”.

At the same time each visual element has its own dimension and aesthetic. Color can spontaneously open to abstract color: color as color without a particular reference or context such as red balloon. Just red as red as the ways of red.

This Abstract color has its own aesthetic and resonates with the abstraction of some modern American Modern Art: the Color Field School. This School explores color as color and incudes artists such Ellsworth Kelly, Barnet Newman and Kenneth Noland. This course includes a study and contemplation of these Color Field artists.

In this course you will become Color Field Artists. Your images will be found Color Field Abstract Art.

No photographic experience necessary. You need a digital camera ( a
phone camera is fine)

AbsoluteEye Contemplative Photography: From Orderly Chaos to Found Modern Art

“Chaos should be regarded as extremely good news”

~Chogyam Trungpa

Two Separate Sessions

Toronto Shambhala Center

Sat. 12pm-2pm Est; Mar 23rd, 30rd, Apr 6th, 13th, 20th

For registration: shambhalaonline.org

2.Drala Image

Mon. 6:30pm-8:30pm Est; Mar 25th, Apr 1st, 8th, 15th, 22nd

For registration: dralaimage@gmail.com

This Zoom exploration engages direct perception without reference points. Not even the reference point of contemplative art. It is a free flowing perception orderly chaos. The images are energetic and vivid. They are Found Modern Art.

The Nalanda Miksang path and pedagogy orients from Chogyam Trungpa’s Dharma Art teaching: The Three Levels of Perception. These three levels parallel the Buddhist three levels: Hinayana, Mahayana and Vajrayana. This contemplative art perception engagement is the “Tantric” level. You will learn to “let go,” enter a “visual gap” and let the visual world manifest in its own orderly chaos way.

The aesthetic of these artistic images resonates with certain paintings of Modern American Art. This course includes a cultural studies aspect. We will consider the Assemblage School of American Modern Art which includes artists such as Robert Rauschenberg as well as some Pop Artists.

One of the intentions of this course is to produce brilliant found modern art images. You will become absolute photo eye artists.

The course will include contemplation of Dharma Art and Modern Art texts, teachings, image assignments and image reviews. No photographic experience necessary. You need a digital camera. (a smart phone is workable).

Child of Illusion: Contemplative Art, Yogachara Buddhism and Liberation

“Yogachara is the school of Buddhism that produces art and appreciates aesthetic consciousness…a touch here, a touch there, delight”, “The Tea Cup and the Skull Cup” ~Chogyam Trungpa,

“If there is nothing to grasp there is no grasping” ~Vasubandhu

Two course date/times:

Eight weeks.Every Sat. 3-5 pm Est, Feb. 17th- Apr. 6th

Eight weeks.Every Fri. 6:30-7:30 pm Est, Feb. 16th-Apr. 5th

Fee: $225-$275 CAN. (or what you can afford)

The two ways of contemplative arts and the Yogachara come together at certain “pressure points”. One is the dualism/non dualism that occur in our experience and perception. A unique feature of the Yogachara and the contemplative arts is to use dualism – our everyday experience – as a way to realize non-dualism or the liberation from fixed references through the free flowing, vibrancy and openness of direct experience.

This course, through various perception exercises and meditation practices, facilitates these liberation ways and cultivates a subtle aesthetic appreciation. In particular it focuses on “post-meditation” as vehicle for empowering the phenomenal world “ to wake you up”. Then you have a powerful ally in your liberation practice and way.

(there will be some contemplative photography exercises so you need a digital camera. A phone camera is acceptable)

Along with these transformative exercises we will contemplate certain texts and teachings. We will engage Vasubandhu’s classic treatise: “ The Three Natures”. Vasubandhu is one of the founders of the Yogachara school. Also we will consider teachings from Traleg Rinpoche’s text “The Influence of Yogacara on Mahamudra” and ChogyamTrungpa’s text the “ Tea Cup and the Skull Cup”. Readings from these texts will be provided.

This is not a beginner’s course so one should have established a meditation practice and taken Refuge or Shambhala vows or some similar commitment to Dharma practice.

True Perception and Shambhala Meditation

“ When the warrior-students experience an environment where the dralas are present, where the possibilities of sanity are always there, they can appreciate the mountains, the clouds, the sky, sunshine, trees, flowers, brooks...intensely bright red and blue and brilliant white and orange. You see the brilliance of the universe. You develop a true perception of the universe” ~Chogyam Trungpa: Shambhala Sacred Path of the Warrior

The course is presented on two separate dates, Four sessions each.

Sat. Nov 4th; 12-2pm Est. For more information and registration go to the Toronto Shambhala Center website: www.toronto.shambhala.org/
Starting Tues. Nov. 7th, 6:30-8:30pm Est.

Course fee: $120 -$140 CAN (or what you can afford)

For more information: Current courses at www.dralaimage.com

For registration: dralaimage@gmail.com

Chogyam Trungpa, the great Buddhist meditation master and Shambhala teacher was also an accomplished contemplative artist. His Dharma art teachings are gathered in a book: True Perception. As the above quote indicates “true perception” is also at the heart of the Shambhala teachngs.

This course integrates these True Perception dharma art teachings with the Shambhala way and meditation practice.

In particular it includes some contemplative photography explorations and two forms of Shambhala meditation: a Mind/Body/World synchronization which establishes the basis for true perception and a perception/awareness meditation which manifests true perception.

No photography or meditation experience necessary. Instruction will be provided. You need a digital camera (a phone camera will work).

The course will include teachings from True Perception, Shambhala: Sacred Path of the Warrior, Great Eastern Sun and Heart of Photography. These texts will be provided.

Color: Introduction to Contemplative Photography (Closed)

“ But the point is to see properly. See colors: white, black, blue yellow, red, green, purple. Look. This is your world!”~Chogyam Trungpa; Sacred Path of the World

We ask: does visual experience and the visual world have forms or elements ? Is it made of anything? Yes it does have visual features. Everything we see involves color, light, surface, space and seeing something.

These visual forms become the first explorations of our pedagogy and path of visual contemplative training. It is something like learning the visual cords and scales although the images themselves can be very interesting and powerful.

Color is the first engagement. This engagement opens the way of contemplative photography. Besides this basic visual form it involves the pedagogy and skillful means of contemplative photography such as the practices of synchronization and “flash of perception”. It teaches how to make an equivalent contemplative image composition. And deeply: it introduces the distinction between an orientation to the “thing world” – a red fire engine – and the contemplative phenomenal or appearance world – fire engine red: the color red as the color red.

This course can be a good introduction the Looking and Seeing course which teaches all the visual forms. Also, it is a direct introduction to the Color Plus/Plus course which explores color manifestations as Found Modern Art.

No previous photographic experience necessary but you need a digital camera (a phone camera works)

Moon and Sun: A Short Introduction to Contemplative Haiku (Closed)

“The moon and sun are travelers through Eternity…Even the days wander and each day is a journey and the journey itself is home”-Basho

This course introduces the classic form of Contemplative haiku which situates an occasioned “now” within the vast cosmos of Nature.

This Zoom course proceeds through teaching, haiku assignments and reviews. Each participant will have weekly personal feedback through e-mail and will share their haiku in the Zoom sessions.

For those interested, this course opens participation in the ongoing “ Moon and Sun” community of haiku practitioners and more advanced Haiku studies.

No writing experience necessary.

Contemplative Photography and Liberation: The outer and inner teachings (Closed)

“ If you are able to relax – relax to a cloud by looking at it, relax to a drop of rain and experience its genuiness – you can see the unconditionally of reality…you experience a vast realm of perceptions unfolding…the realm of perception is limitless, so limitless that perception itself is primordial…there are endless fields of perception.”

The course proceeds through teachings, assignments and assignment reviews. No photographic experience necessary but one needs a digital camera. (a phone camera is workable)

Chogyam Trungpa, Shambhala Sacred Path of the Warrior

This course will take you on a deep dive into the world of contemplative photography and is open to everyone. No previous photographic experience necessary.

A basic introduction to the practice of contemplative photography will be explored – as well as the liberation aspects of this practice. The direct perception experiences resonate with more primordial depths of insight. So it is both a contemplative art and dharma practice. We will consider how the liberation features of contemplative art resonate with the liberation features of Shambhala, the Buddhadharma and Daoism.

The “clear seeing” you will experience as part of this course opens up many realms of perception that we typically do not engage in our daily life. We will explore some fields of perception such as impressionism, flowers and weeds, and ordinary world magic.

We will contemplate some Chogyam Trungpa texts from the books True Perception and Shambhala: Sacred Path of the Warrior. (if you do not have these books excerpts will be provided)

For more discussion of the contemplative way of liberation consult the blog post on this website: “ Contemplative art and liberation: how it works ”

Orderly Chaos and Found Modern Art (Closed)

“Chaos should be regarded as extremely good news”-Chogyam Trungpa

This course is the third level in the Nalanda Miksang pedagogy which is based on Chogyam Trungpa’s dharma art teachings of the three levels of perception.

This course lets go of all reference points and enters the free play and energy of perception. The resulting images are often abstract and are found in modern art. (www.absoluteeye.org) This course includes studies of Modern American Art with particular reference to the work of Robert Rauschenberg.

Course includes teachings, assignments and image reviews.

There is no prerequisite for this course.

" Following this course, in the Summer, we will offer a related
AbsoluteEye Found Modern Art course: Assemblage Artists. It will
contemplate the works of artists Robert Rauchenberg and Tom Wesslmann;
the works of photographers Edward Weston and Lee Frielander, the
Assemblage theories of French philosopher Gilles Deleuze and the
Tantric teachings of Chogyam Trungpa Rinpoche."

Moon and Sun Haiku Gathering (Closed)

This is an ongoing feature of the Moon and Sun haiku manifestation. Every month, we will gather around to share some of our haiku. This is only available to those who have taken a Moon and Sun haiku course. The haiku will be in the classic contemplative haiku form.

The process will be similar to the course format. Participants can send me up to five haiku via e-mail. I will respond and select some that we can read and contemplate together. There may be a haiku lesson. It will be scheduled for a two-hour session, but the actual session may be shorter.

Contemplative Photography: A short introduction (Closed)

“When eye and mind are synchronized, you see more clearly, and your images are simple, strong and vivid”

This course introduces the basic approach of Miksang contemplative photography. It includes teachings, assignments and image reviews. An introductory course is a prerequisite for more advanced courses offered this year. (For information on these courses, go to www.dralaimage.com.) No photography experience necessary, but you will need a digital camera. (Point-and-shoot or phone camera are acceptable.) For more information: www.miksang.org and www.dralaimage.com.

LOOKING AND SEEING: Introduction to Contemplative Photography (Closed)

“When Eye, Mind and World are in the same place at the same time, one sees clearly, and the images are simple and vivid.”

Teacher: John McQuade

For more information and registration go to the Toronto Shambhala Center Website: toronto.shambhala.org